Grace Goudy Distinguished Artists Series

2024-25 DAS series featuring Angélica Negrón, composer and multi-instrumentalist and Cantores In Ecclesia Vocal Ensemble

Angélica Negrón & Cantores In Ecclesia

Angélica Negrón - composer and multi-instrumentalist. Wednesday November 6, 7:30 p.m. Cantores In Ecclesia Vocal Ensemble. Wednesday February 19, 2025, 7:30 p.m.

Welcome to our 2024-25 Distinguished Artist Series!


Angélica Negrón

It is with great excitement and pleasure as artistic director to reach out to our dear patrons and Oregon community about the upcoming Grace Goudy Distinguished Artists Series 2024- 2025 season! It was my intention this year to bring to campus the best of the new and the best of the old.

Our opening concert features the wildly inventive cutting edge Puerto-Rican composer Angélica Negrón, who has already made her mark in our state, performing on the prestigious Portland Series “ Third Angle”, and also premiering a major work with the Eugene Symphony.

Angelica is known for her extraordinary creativity. Negrón writes music for accordions, robotic instruments, toys, and electronics as well as for chamber ensembles, orchestras, choir, and film. Her music has been described as “wistfully idiosyncratic and contemplative” (WQXR/Q2-New York), while The New York Times noted her “capacity to surprise.” Negrón has been commissioned by the Bang on a Can All-Stars, Kronos Quartet, loadbang, Prototype Festival, Brooklyn Youth Chorus, Sō Percussion, the Dallas Symphony Orchestra, National Symphony Orchestra, Opera Philadelphia, the Louisville Orchestra and the New York Botanical Garden, among others. She was the recipient of the 2022 Hermitage Greenfield Prize. Upcoming premieres include works for the Seattle Symphony, LA Philharmonic, Louisville Orchestra and NY Philharmonic Project 19 initiative and multiple performances at Big Ears Festival 2022.

Her residency will begin with a lecture/ question answer presentation to the Willamette community on the Music Department's weekly convocation Tuesday Nov 5. at 11:20 a.m. ( free to the public) . Her concert will follow on Wednesday at 7:30 p.m. in Hudson Concert Hall.

The first half of the concert will feature three separate works, all involving solo instruments in conjunction with electronics. The pieces are: “ Iniri”, “El Ruido de Mis Ojos” and “Disco Giratorio” performed respectively by two brilliant artist associates: cellist Kathryn Brunhaver, tenor- saxophonist Jonathan Hart, and our wonderful pianist, senior Trinity Goff. The second half of the concert Negron will take over and present a collection of her works with an eclectic assortment of instruments, many of which she has invented. This promises to be an evening of what concerts should truly be, an exploration of new sounds and aesthetics!

I mention the idea of what concerts “should be” with the understanding that performing masterworks of departed, deceased composers did not really become standard until Mendelssohn “resurrected Bach's “St Matthew Passion” in a concert. We, of course understand what then followed became the standard practice of having almost all of the works performed on a program be that of ancient masters.

For two centuries,the unique experience of hearing the works of contemporary composers for the first time has been the exception as opposed to the rule…

Of course, hearing masterpieces is a fabulous experience akin to going into the greatest art museum and seeing collections that span centuries. It was with this intention that I specifically desired to present the works of perhaps the greatest Renaissance composer, an individual whose staggering versatility and brilliance gave the musical world a foundation without which a composer like Bach might never have created the majestic legacy which inspired composers and those who love music for centuries. On February 19th, 2025,, the Portland based choral ensemble, Cantores in Ecclesia, will give us the unique experience of presenting an evening featuring uniquely the music of composer Josquin de Prez. This genius wrote not only music for the church but secular works, some of which became known as the quintessential Renaissance form known as madrigals. He composed not only in every important musical modality, but also in the major languages of the day: Latin, Italian, and French.

So, as previously indicated, I think these two concerts will offer our students, our patrons, and the Willamette Valley the best that music can provide!

-Jean-David Coen, Artistic Director

Here is a link to Angelica Negron speaking about one of her works.


Cantores In Ecclesia Vocal Ensemble

For 40 years, CIE has been dedicated to the restoration of Gregorian chant and sacred polyphony to the church’s liturgy directed by Blake Applegate.

Cantores in Ecclesia is dedicated to the preservation and promotion of Gregorian chant and sacred polyphony in liturgical context within the Latin Mass of the Catholic Church.

Comprised of both an adult and youth choir, Cantores in Ecclesia was first established in 1983. It began singing at St. Patrick's Church in 1985 through an arrangement with its pastor, Fr. Frank Knusel, and Bishop Paul Waldschmidt of the Archdiocese of Portland. The choir's first sung Mass at the historic NW Portland Church was the Solemnity of Corpus Christi, for which it sang William Byrd's Mass for Five Voices and selections from his Gradualia (1605). For the next 17 years, Cantores in Ecclesia was synonymous with St. Patrick's and the beautiful plainsong, polyphonic Masses, and motets heard each week at its Solemn Latin Vigil Mass. In September of 2002, the choir established its independence as a nonprofit organization, but its mission remained constant: to restore the rich treasury of chant and sacred polyphony to Catholic liturgy. After leaving St. Patrick's in 2002, the choir provided music for the Latin liturgy at Immaculate Heart Church for several years. From the first Sunday of Advent, 2007 to 2016, it began providing music for the parish of St. Stephen’s Church. The choir is now in residence at Holy Rosary parish in NE Portland where it currently provides music once a month and for feast days. It also regularly sings for mass at St. Agatha's Catholic Church in SE Portland.

In addition to singing liturgically, Cantores in Ecclesia has toured widely at home and abroad, with performances throughout Mexico, Spain, France, England and Italy, where it won gold medals in an international competition. The choir also presents several sacred concerts each year, has released three recordings to date, and has often been featured in the press, with articles in BBC Music Magazine, Brainstorm, Early Music America and Oregon ArtsWatch.

One of the highlights of the choir’s commitment to musical excellence is the annual William Byrd Festival held each August, which has brought guest conductors, lecturers and musicians to Portland for nearly three weeks of liturgical services, concerts, organ recitals, and lectures for the past 25 years.

But the principal service of Cantores in Ecclesia has been and will remain the task of combining music and liturgy. At its heart will always be the ancient sung prayer of Gregorian chant, surrounded and supported by the sacred music of great masters such as Palestrina, Victoria, and Byrd.

Our concerts are held in the Hudson Concert Hall in the Rogers Music Center, Willamette University.


Willamette University Music Department
Rogers Music Center
503-370-6255
music-info@willamette.edu

Angélica Negrón Presentation on Nov. 5

Angélica will give a presentation on her music and her Wednesday concert on Tuesday, November 5th, 11:20 a.m. in the Rogers Music Center. She will also answer questions from students and attendees. The Salem and Willamette community are all invited to attend and observe. Admission is free.

Willamette University

Arts at Willamette

Salem Campus

Address
900 State Street
Salem Oregon 97301 U.S.A.

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